#WHAT'S THE POINT!!!!!! WHY IS THIS THE TREND!!!!!!!!!!!!!!!! WHO IS THIS FOR!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[localcryptideli]

Not at all :3 I honestly have a fondness for poetry, especially in the medieval, renaissance, and early 19th century period, so I guess I got exposed to a lot of men whose brand of masculinity was anything but harsh.

But I also think about men like my brother who, while their girlfriend will have a knee jerk reaction of disgust at insects or bats or stuff like that, react with "cute! <3"

I was lucky I have seen a lot of kind men growing up, even if I didn't get along with all of them. Polite, intelligent people who took pride in education and respect for nature, and who were loving.

I don't see masculinity as a violent thing, no more than I see femininity as a violent thing.

The thing is: masculinity and femininity as abstract concepts change a lot from culture to culture and changed a lot in the history of each culture.

Masculinity as this violent, warmongering, military aeathetic thing is not an immutable concept - actually I guess we can draw this brand of toxic masculinity to fascism and the warmongering climate of the late 19th century (and I hear once again my Italian Lit. professor telling us "we are the children of the 19th century in a lot of things, culturally").

But move to another culture or move to another point in time and you will see that the mainstream type of masculinity will be different.

But the beautiful thing is that even with these trends, you can decide for yourself what is masculine to you. There's enough in our history of humanity that has defined masculinity that the box to choose from is full at the brim.

Even just looking at what flyes nowadays in big, vague and big category-strokes - you can be the guy who opens doors for people because it's kind, and the guy who carries groceries for old people or people who are weaker.

Or the guy who reads a lot or listens to music and makes curiosity and discovery their main points of pride, and will like to share things with their friends or have a friendly debate on whose author is best (like my friend Beppe who is one of the kindest and smartest people I know).

The guy who does consensual combat sports and gives their best, and then high fives and hugs their sparring partner because that's what a good sportsman does (I saw so many guys like that both in karate and HEMA).

The guy who likes insects and animals and the sky and makes curiosity and awe at nature their point and doesn't understand why some animals should be labelled as repulsive (my husband is like that).

The guy whose masculinity revolves around their family - the guy, like my mother's husband, who nursed and cleaned his father and his father in law and his best friend when they were on their deathbed not because he wa a nurse, but because he had the strength to do it and wanted to provide for them however he could.

There's a lot of guys who are very manly men, and whose masculinity doesn't revolve around harshness, who are gentle and loving and passionate and curious, and who see those qualities as masculine ones.

(detail from the San Barnaba Altarpiece (c. 1488) by Sandro Botticelli)

[amateurvoltaire]

For the past six years or so, this graph has been making its rounds on social media, always reappearing at conveniently timed moments…

The insinuation is loud and clear: parallels abound between 18th-century France and 21st-century USA. Cue the alarm bells—revolution is imminent! The 10% should panic, and ordinary folk should stock up on non-perishables and, of course, toilet paper, because it wouldn’t be a proper crisis without that particular frenzy. You know the drill.

Well, unfortunately, I have zero interest in commenting on the political implications or the parallels this graph is trying to make with today’s world. I have precisely zero interest in discussing modern-day politics here. And I also have zero interest in addressing the bottom graph.

This is not going to be one of those "the [insert random group of people] à la lanterne” (1) kind of posts.  If you’re here for that, I’m afraid you’ll be disappointed.

What I am interested in is something much less click-worthy but far more useful: how historical data gets used and abused and why the illusion of historical parallels can be so seductive—and so misleading. It’s not glamorous, I’ll admit, but digging into this stuff teaches us a lot more than mindless rage.

So, let’s get into it. Step by step, we’ll examine the top graph, unpick its assumptions, and see whether its alarmist undertones hold any historical weight.

Step 1: Actually Look at the Picture and Use Your Brain

When I saw this graph, my first thought was, “That’s odd.” Not because it’s hard to believe the top 10% in 18th-century France controlled 60% of the wealth—that could very well be true. But because, in 15 years of studying the French Revolution, I’ve never encountered reliable data on wealth distribution from that period.

Why? Because to the best of my knowledge, no one was systematically tracking income or wealth across the population in the 18th century. There were no comprehensive records, no centralised statistics, and certainly no detailed breakdowns of who owned what across different classes. Graphs like this imply data, and data means either someone tracked it or someone made assumptions to reconstruct it. That’s not inherently bad,  but it did get my spider senses tingling.

Then there’s the timeframe: 1760–1790. Thirty years is a long time— especially when discussing a period that included wars, failed financial policies, growing debt, and shifting social dynamics. Wealth distribution wouldn’t have stayed static during that time. Nobles who were at the top in 1760 could be destitute by 1790, while merchants starting out in 1760 could be climbing into the upper tiers by the end of the period. Economic mobility wasn’t common, but over three decades, it wasn’t unheard of either.

All of this raises questions about how this graph was created. Where’s the data coming from? How was it measured? And can we really trust it to represent such a complex period?

Step 2: Check the Fine Print

Since the graph seemed questionable, the obvious next step was to ask: Where does this thing come from? Luckily, the source is clearly cited at the bottom: “The Income Inequality of France in Historical Perspective” by Christian Morrisson and Wayne Snyder, published in the European Review of Economic History, Vol. 4, No. 1 (2000).

Great! A proper academic source. But, before diving into the article, there’s a crucial detail tucked into the fine print:

“Data for the bottom 40% in France is extrapolated given a single data point.”

What does that mean?

Extrapolation is a statistical method used to estimate unknown values by extending patterns or trends from a small sample of data. In this case, the graph’s creator used one single piece of data—one solitary data point—about the wealth of the bottom 40% of the French population. They then scaled or applied that one value to represent the entire group across the 30-year period (1760–1790).

Put simply, this means someone found one record—maybe a tax ledger, an income statement, or some financial data—pertaining to one specific year, region, or subset of the bottom 40%, and decided it was representative of the entire demographic for three decades.

Let’s be honest: you don’t need a degree in statistics to know that’s problematic. Using a single data point to make sweeping generalisations about a large, diverse population (let alone across an era of wars, famines, and economic shifts) is a massive leap. In fact, it’s about as reliable as guessing how the internet feels about a topic from a single tweet.

This immediately tells me that whatever numbers they claim for the bottom 40% of the population are, at best, speculative. At worst? Utterly meaningless.

It also raises another question: What kind of serious journal would let something like this slide? So, time to pull up the actual article and see what’s going on.

Step 3: Check the Sources

As I mentioned earlier, the source for this graph is conveniently listed at the bottom of the image. Three clicks later, I had downloaded the actual article: “The Income Inequality of France in Historical Perspective” by Morrisson and Snyder.

The first thing I noticed while skimming through the article? The graph itself is nowhere to be found in the publication.

This is important. It means the person who created the graph didn’t just lift it straight from the article—they derived it from the data in the publication. Now, that’s not necessarily a problem; secondary analysis of published data is common. But here’s the kicker: there’s no explanation in the screenshot of the graph about which dataset or calculations were used to make it. We’re left to guess.

So, to figure this out, I guess I’ll have to dive into the article itself, trying to identify where they might have pulled the numbers from. Translation: I signed myself up to read 20+ pages of economic history. Thrilling stuff.

But hey, someone has to do it. The things I endure to fight disinformation...

Step 4: Actually Assess the Sources Critically

It doesn’t take long, once you start reading the article, to realise that regardless of what the graph is based on, it’s bound to be somewhat unreliable. Right from the first paragraph, the authors of the paper point out the core issue with calculating income for 18th-century French households: THERE IS NO DATA.

The article is refreshingly honest about this. It states multiple times that there were no reliable income distribution estimates in France before World War II. To fill this gap, Morrisson and Snyder used a variety of proxy sources like the Capitation Tax Records (2), historical socio-professional tables, and Isnard’s income distribution estimates (3).

After reading the whole paper, I can say their methodology is intriguing and very reasonable. They’ve pieced together what they could by using available evidence, and their process is quite well thought-out. I won’t rehash their entire argument here, but if you’re curious, I’d genuinely recommend giving it a read.

Most importantly, the authors are painfully aware of the limitations of their approach. They make it very clear that their estimates are a form of educated guesswork—evidence-based, yes, but still guesswork.   At no point do they overstate their findings or present their conclusions as definitive

As such,  instead of concluding with a single, definitive version of the income distribution, they offer multiple possible scenarios.

It’s not as flashy as a bold, tidy graph, is it? But it’s far more honest—and far more reflective of the complexities involved in reconstructing historical economic data.

Step 5: Run the numbers

Now that we’ve established the authors of the paper don’t actually propose a definitive income distribution, the question remains: where did the creators of the graph get their data? More specifically, which of the proposed distributions did they use?

Unfortunately, I haven’t been able to locate the original article or post containing the graph. Admittedly, I haven’t tried very hard, but the first few pages of Google results just link back to Twitter, Reddit, Facebook, and Tumblr posts. In short, all I have to go on is this screenshot.

I’ll give the graph creators the benefit of the doubt and assume that, in the full article, they explain where they sourced their data. I really hope they do—because they absolutely should.

That being said, based on the information in Morrisson and Snyder’s paper, I’d make an educated guess that the data came from Table 6 or Table 10, as these are the sections where the authors attempt to provide income distribution estimates.

Now, which dataset does the graph use? Spoiler: None of them.

How can we tell? Since I don’t have access to the raw data or the article where this graph might have been originally posted, I resorted to a rather unscientific method: I used a graphical design program to divide each bar of the chart into 2.5% increments and measure the approximate percentage for each income group.

Here’s what I found:

Now, take a moment to spot the issue. Do you see it?

The problem is glaring: NONE of the datasets from the paper fit the graph. Granted, my measurements are just estimates, so there might be some rounding errors. But the discrepancies are impossible to ignore, particularly for the bottom 40% and the top 10%.

In Morrisson and Snyder’s paper, the lowest estimate for the bottom 40% (1st and 2nd quintiles) is 10%. Even if we use the most conservative proxy, the Capitation Tax estimate, it’s 9%. But the graph claims the bottom 40% held only 6%.

For the top 10% (10th decile), the highest estimate in the paper is 53%. Yet the graph inflates this to 60%.

Step 6: For fun, I made my own bar charts

Because I enjoy this sort of thing (yes, this is what I consider fun—I’m a very fun person), I decided to use the data from the paper to create my own bar charts. Here’s what came out:

What do you notice?

While the results don’t exactly scream “healthy economy,” they look much less dramatic than the graph we started with. The creators of the graph have clearly exaggerated the disparities, making inequality seem worse.

Step 7: Understand the context before drawing conclusions

Numbers, by themselves, mean nothing. Absolutely nothing.

I could tell you right now that 47% of people admit to arguing with inanimate objects when they don’t work, with printers being the most common offender, and you’d probably believe it. Why? Because it sounds plausible—printers are frustrating, I’ve used a percentage, and I’ve phrased it in a way that sounds “academic.”

You likely wouldn’t even pause to consider that I’m claiming 3.8 billion people argue with inanimate objects. And let’s be real: 3.8 billion is such an incomprehensibly large number that our brains tend to gloss over it.

If, instead, I said, “Half of your friends probably argue with their printers,” you might stop and think, “Wait, that seems a bit unlikely.” (For the record, I completely made that up—I have no clue how many people yell at their stoves or complain to their toasters.)

The point? Numbers mean nothing unless we put them into context.

The original paper does this well by contextualising its estimates, primarily through the calculation of the Gini coefficient (4).

The authors estimate France’s Gini coefficient in the late 18th century to be 0.59, indicating significant income inequality. However, they compare this figure to other regions and periods to provide a clearer picture:

Amsterdam (1742): Much higher inequality, with a Gini of 0.69.

Britain (1759): Lower inequality, with a Gini of 0.52, which rose to 0.59 by 1801.

Prussia (mid-19th century): Far less inequality, with a Gini of 0.34–0.36.

This comparison shows that income inequality wasn’t unique to France. Other regions experienced similar or even higher levels of inequality without spontaneously erupting into revolution.

Accounting for Variations

The authors also recalculated the Gini coefficient to account for potential variations. They assumed that the income of the top quintile (the wealthiest 20%) could vary by ±10%. Here’s what they found:

If the top quintile earned 10% more, the Gini coefficient rose to 0.66, placing France significantly above other European countries of the time.

If the top quintile earned 10% less, the Gini dropped to 0.55, bringing France closer to Britain’s level.

Ultimately, the authors admit there’s uncertainty about the exact level of inequality in France. Their best guess is that it was comparable to other countries or somewhat worse.

Step 8: Drawing Some Conclusions

Saying that most people in the 18th century were poor and miserable—perhaps the French more so than others—isn’t exactly a compelling statement if your goal is to gather clicks or make a dramatic political point.

It’s incredibly tempting to look at the past and find exactly what we want to see in it. History often acts as a mirror, reflecting our own expectations unless we challenge ourselves to think critically. Whether you call it wishful thinking or confirmation bias, it’s easy to project the future onto the past.

Looking at the initial graph, I understand why someone might fall into this trap. Simple, tidy narratives are appealing to everyone. But if you’ve studied history, you’ll know that such narratives are a myth. Human nature may not have changed in thousands of years, but the contexts we inhabit are so vastly different that direct parallels are meaningless.

So, is revolution imminent? Well, that’s up to you—not some random graph on the internet.

Notes

(1) A la lanterne was a  revolutionary cry during the French Revolution, symbolising mob justice where individuals were sometimes hanged from lampposts as a form of public execution

(2) The capitation tax was a fixed head tax implemented in France during the Ancien Régime. It was levied on individuals, with the amount owed determined by their social and professional status. Unlike a proportional income tax, it was based on pre-assigned categories rather than actual earnings, meaning nobles, clergy, and commoners paid different rates regardless of their actual wealth or income.

(3) Jean-Baptiste Isnard was an 18th-century economist. These estimates attempted to describe the theoretical distribution of income among different social classes in pre-revolutionary France. Isnard’s work aimed to categorise income across groups like nobles, clergy, and commoners, providing a broad picture of economic disparity during the period.

(4) The Gini coefficient (or Gini index) is a widely used statistical measure of inequality within a population, specifically in terms of income or wealth distribution. It ranges from 0 to 1, where 0 indicates perfect equality (everyone has the same income or wealth), and 1 represents maximum inequality (one person or household holds all the wealth).

[lightseoul]

CHAPTER 4 | ALL OUT OF LUCK

w.c. 5.0k (can you see the trend)

tags. fem!reader, pro-hero!katsuki, aged-up (26), still a lot of cussing, some mature themes (no smut, sorry), we're finally in the headquarters!, the story moves significantly along here (i think)

a/n. this one took a second to get out, but i hope the wait was worth it! we're going knee-deep into the storyline, so brace yourselves for the nitty gritty. the dialogue here was too fun to write tho lol

links. masterlist, ao3 (coming soon)

Neither of you says anything about what happened.

After you used your quirk on Masaki and the rest of his crew, eventually convincing them to let you take off the bugs and censor the cameras in the evenings, you and Bakugou were briefed about a few more details before you went your separate ways, returning home to pack up your things and spend your last night alone for the foreseeable future.

The trek back to the subway station was quiet, with Bakugou leading the way and you trailing a few feet behind. The silence that enveloped the both of you bordered on tense more than awkward, and you itched to confront him about unceremoniously jumping you, but restrained yourself at the looming thought of the trackers planted firmly against your chest.

As much as it pained you to think about it, from this point on, you have to work double time on biting your tongue and watching your words. Just your words and location—if you’re lucky—but your facial expressions and movements, too, when there are cameras around.

Fortunately, there weren’t any when Bakugou didn’t step out of the carriage just as the automated voice announced his stop, nor when he wordlessly got out of the train beside you at yours. Your face contorted in evident confusion in those two instances, to which he only tossed you silencing looks. It didn’t take long for you to realize it’d be suspicious if Bakugou didn’t see you home—his alleged girlfriend—this late into the night.

And so you rolled with it.

You even went ahead and thanked him with the sweetest possible voice you can muster when you reached your front door, as well as wished him a safe trip back home. You think you caught him off guard, but he was able to quickly gather himself and mutter back a few words of gratitude before telling you to get a good night’s rest.

You couldn’t.

Aside from the paranoia that came with knowing someone or some people were listening to your very breathing, the anxiety about this whole mess that you’ve walked into was too palpable for you just to ignore. You tossed and turned for what felt like hours—brain buzzing with a hundred what-ifs and hypothetical scenarios—before you eventually knocked out at around 3 AM.

You promptly woke up at 7 AM a few hours later, albeit begrudgingly and all thanks to your bothersome alarm tone. You had to show up at work, despite it being a Saturday, to file an indefinite leave as soon as possible. Annoyance shot through you as you remembered Kouki’s dismissive remark about your job in contrast to Bakugou’s.

You shook it off.

There were more important things to deal with, such as the guilt that bloomed in your gut as you turned in the paperwork to Yuzuki, your school’s HR personnel, who, at the sight of them, visibly deflated.

“You’re going on a leave?” she asked that cool morning, incredulous and tone somewhat begging you to say no.

“Yeah…” you replied, rubbing the back of your neck sheepishly.

“But why?” she pressed, sitting up behind her desk that’s riddled with knickknacks and picture frames of her and her toddler. “You never take off from work. And,” she enunciated, “…the kids need you, Y/N.”

Your polite smile faltered at the mention of the kids.

“Yeah, well…” you started, unsure of what to say next. “I’m sure you’ll have no problem finding a temp, what with the recent licensure exam results. The kids won’t even notice I’m gone, I promise.”

She cocked her head to the side, frowning. “I highly doubt that.”

It didn’t matter if she had her doubts, though, because this was happening. You braced yourself to tell Yuzuki just that, but to your relief, she didn’t push further after that exchange, opting to half-heartedly process your request instead.

By the time lunchtime rolled around, you were already cleared by her department and now officially on a short indefinite leave without pay.

In an attempt to take your mind off of potentially losing your job, you stopped by the grocery store on your way home and picked up a few items, such as toiletries and other things you may need for your stay in the headquarters. There was no telling when you’d get to shop for your necessities again, so you went full ham and spent the money you usually budgeted meticulously to the nearest cent. Besides, if you succeeded in this mission, you wouldn’t have to worry about finances for the next year, at the very least.

You were about to head to the check-out counter when your eyes caught the display of…house slippers in the back aisle.

You paused at the sight of them.

If you were going to be under house arrest, you might as well be cozy while doing so.

Before you could talk yourself out of it, you grabbed a beige pair for yourself, and a black pair for Bakugou. You had no idea what his feet size was, but those were the largest they carried, and so that’d have to do. Plus, you doubted quirk supremacists were mindful enough to provide their hostages with comfortable footwear.

It was already around 4 PM when you arrived home with your arm-numbing groceries and takeout dinner in tow. Setting them aside by your kitchen counter, you quickly got started on gathering your necessities. You blasted your favorite album as you packed your suitcase partly to make the arduous process more bearable, but mostly to drown out the voices that fought to take the reins in your head. You were nervous—very much so—but there was no going back from this.

And so with a heavy heart and a churning stomach, you swiftly got to work, and by dinner time, you were already packed up and ready to go. After going through your checklist one more time and confirming that everything was accounted for, you got changed into fresh, more appealing clothes and scarfed down the meal you purchased to-go after shopping.

You sat in your living room with all your things stacked beside you on the couch, waiting, though it didn’t take long for Kouki to materialize by the kitchen with that irritatingly haughty expression on his face.

You tried to ignore the disgust that sprung as you watched him step on your freshly washed rug with his booted feet, choosing to shift your attention upwards instead. You observed him as he eyed your belongings with mild disinterest, before shifting to regard you.

“Ready?” he asked, holding up one hand for you to take, while the other moved to touch the pile of stuff.

You didn’t bother to verbalize your consent, resorting to just nodding as you gingerly took his hand. Your surroundings instantly morphed the moment that you did, and you found yourself going through the now-familiar motions, emerging smack dab in the middle of your floor’s hallway a few seconds later.

Kouki was gone just as quickly as he arrived, apparently way above helping you move your things to the space at the end of the hall. The same goes for the twins, who only watched you as you lugged your baggage into the room.

You locked eyes with the female guard, and for a second, you debated engaging her in conversation.

You already knew what to say. You’d ask her if they were sure about you staying in, when Kouki can just teleport you to your respective apartments at the end of each day if they’re so worried about you getting spotted.

Besides, you thought as she glared at you with seemingly unfounded hate, that means we’ll be out of your hair.

But as tempting as it was to bring up that alternative at the moment, you ultimately thought better against it.

You already used your luck to convince them to turn off the trackers at night—something they probably wouldn’t do if you and Bakugou lived outside due to the lack of backup surveillance. It simply wouldn’t be smart and cautious of them if they did. You also didn’t want to undo that already tall order of a bargain when what you needed the most was the privacy in which you could discuss the mission and steps moving forward.

Besides, you bet your money it’s not just that. The teleportation quirk of that old geezer has to have a limitation somehow…

You let all these simmer in your head as you settled in for the night. To your chagrin—you wanted at least one night where you get to sleep on the decent-looking bed—Bakugou showed up not an hour later with his own luggage.

You didn’t say anything to each other aside from brief ‘Hey’s’ as he entered the room and unpacked his belongings, as well as when he disappeared into the small comfort room and showered.

You decided then and there that you both had to work on your conversing skills if you wanted a shot at making this ruse believable for the sake of the mission.

By the time he stepped out of the bathroom, decked out in lounge clothes and haphazardly drying his ash-blonde hair with a towel, it was already 8 PM sharp—your agreed-upon time to retreat for the night and consequently, remove your trackers.

And so you wordlessly filed out of your room, only to see the twins already at your front door, waiting. You doubted they ever left their post ever since you arrived.

You eyed the male twin as he sashayed into your room before his sister called you to attention. Other than that, the exchange was nothing but silent and perhaps a little bit hostile as the woman roughly stuck her hand up Bakugou’s shirt then yours, similar to last time, and removed the devices. You fought back a wince just as she ripped it from your skin, leaving a stinging feeling in its wake.

You could tell she was resisting the urge to shove you back to your room when the deed was done. You didn’t want to risk being her punching bag, so with a curt nod, you promptly turned back and once again entered the room, with Bakugou following you just as the other twin exited and closed the door behind him. Looking up, you immediately registered how the cameras were now facing down—covered—and the red, flickering lights were nowhere to be seen.

An instantaneous wave of relief flooded through you.

Bakugou must’ve noticed, because he whipped to face you, and the disturbed expression on his face was enough to shut you up.

He tilted his head, perhaps gesturing to the rest of the room, and it took you a second, but you eventually managed to make out what he was trying to say.

Shut your trap, his icy stare told you. Check the room for bugs.

And so with a nod of understanding, you tossed him a look right back before quite literally turning the room upside down. It probably took you at least 10 minutes to uncover and check every surface, nook, and cranny, but by the time you both were pretty sure you were safe, you were already stifling a yawn.

And having a hawk eye must come with the job description, because that didn’t go unmissed by the pro-hero, who wordlessly took one of the two pillows from the bed, as well as the throw blanket on top of the actual duvet cover, before tossing both on the brown couch.

You were just about to thank him for preparing your ‘bed’ for you, but you didn’t get to, because you were very much robbed of all words when he plopped himself down on the couch, wrapping himself with the quilt.

“What are you—”

“Don’t argue,” he cut you off, his commanding tone comically juxtaposing how snug he looked with his head barely peeking out of the cloth. You’d laugh at the way his large feet were poking out at the end of it if you weren’t in a contentious mood.

You frowned. “You’re the guest of honor. I should be the one sleeping on the couch.”

“If it bothers you that much—” Bakugou piped from where he laid comfortably on the (p)leather furniture, “��we can take turns. Tomorrow, I get to sleep on the bed, and so on.”

“But—”

“Conversation’s over. ‘Night.”

With that, Bakugou flipped on his side, turning his back against you, effectively shooting the conversation down in its entirety.

You stood there for what felt like a couple more minutes, keen on shaking him awake, maybe even yanking him off the couch and planting yourself on it before he could wrap his head around what was happening, but you ultimately decided to let it go, at least for now.

You wished him a good night as you turned off the lights and snuck into the queen-sized bed a few moments later, although you bet he was already fast asleep based on the lack of a reply.

Which was good for him, because he needed the rest for what was about to crash into you the next day.

Apparently, Masaki wasn’t kidding when he said groups like theirs needed the space to conduct their activities, because they sure handle a lot.

At 8 AM, you were roused awake by a violent knocking on your door, and you could tell Bakugou was awoken by the very same thing, because he shot up in alarm just as you did. You quickly got up and padded to the entryway, trying to ignore the silly embarrassment of being seen in your threadbare pajamas in broad daylight, before whipping to look at the man. You didn’t have to say it, though—Bakugou was already grabbing his pillow and blanket and plopped into the bed, lying down as if he was there the entire night. Only when he was fully settled did you turn the knob open, only to see the female twin scowling at you. Her hand was held up, on top of which were two trackers.

“It’s breakfast time,” she spat out—literally, some of her saliva landing on you. She looked over your shoulder to glare at Bakugou. “Hurry up and get ready. You’ve got a full day ahead of you.”

Behind you, a distinct grumble sounded out across the room, and you glanced back to see Bakugou getting up from the mattress and folding his blanket, a deep frown etched on his sharp features.

Looks like someone’s a morning person, you thought to yourself.

Not wanting to aggravate her even further, you wasted no time in getting dressed and presentable enough. You debated on whether or not to spend five minutes putting on makeup, ultimately deciding to do so, with you ending up patting on just enough product to look eye-catching before you and Bakugou went down to the mess hall to eat breakfast.

Immediately upon entering the space, you found yourself thankful for that extra five minutes because all eyes were on you. Well, maybe more on Bakugou, but they inevitably drifted to you, the person who walked next to him side by side. You could hear the people whisper to themselves as you moved to sit at the table near the back, before it hit you and you froze.

“What?” asked Bakugou from across you, who followed suit and paused, butt hanging mid-air.

“Come and sit next to me,” you blurted out, and before he could react in a way that would incriminate you both: “I want to sit beside you, babe.”

Bakugou’s eyes widened ever so minutely at the pet name, his face then sobering up as if he just realized what you were trying to do.

You wished you could spell it out for him, that couples tend to sit next to each other rather than across, and…you needed to seem like one who is head over heels for each other around these people as well. Thankfully, you didn’t have to, because Bakugou merely nodded without question, before rounding the table and seating himself right next to you.

You did your best to tune out the looks and murmuring throughout the entire meal, after which you got swept to one of the halls for an introductory talk for the new members. There were eleven of you in total, including you and Bakugou, the rest of whom you didn’t recognize. They didn’t even hide their surprise and awe when the two of you walked in and sat yourselves at the farthest row beside each other. You tried to radiate an aura of friendliness, smiling at the others when they looked at you, and then beaming at Bakugou whenever you caught him looking your way.

You could tell he was having a hard time playing the part, his smile strained whenever he attempted to return the motion. It was probably after the third time of trying to get a reaction from him when you mustered the courage to bring a hand to his shoulder, kneading the muscle as a form of an affectionate gesture, but mainly to get him to relax. He initially tensed at the contact, but eventually loosened up as you continued the action.

Soon enough, the talk commenced, with someone you didn’t know presenting himself as Kazuma, one of the officers of the organization. He went on to formally introduce the association, named The Quirk Coalition, as a group of like-minded individuals who aim for a future where quirks are nurtured and fostered to their fullest potential in a democratic society that puts a primacy on said powers. You noted how they conveniently left out the part where they detest the weak and the quirkless, although you did not comment on it. You only glanced at Bakugou one time, who looked onto the stage with tight lips.

Kazuma also went through the hierarchy of the organization, starting with Masaki at the top just as you suspected, then Sayaka and Kouki, followed by Hiroto and Omiru—the two who you recognized as the twins, looking like they just got their mugshot taken in the photos. Kazuma sat there at the lower tier alongside several other officers, under which were the regular members, totaling about 70—some of whom live in the headquarters and most going in and out, having normal jobs during the day and families to tend to.

You don’t know how they got it, but at the bottom row of the chart was a picture of you, right beside Bakugou dressed in his full hero gear.

You let the reality sink in as Kazuma droned on about the group’s beliefs, how they equally valued their ideals and the people who carried out these ideals. You made a mental note of this piece of information, before accidentally zoning out for the rest of the lecture.

The next seven days went on roughly the same way, with either of the twins serving as your unfriendly alarm to demonstrating PDA in the mess hall during breakfast, lunch, and dinner, with talks, history classes, support group sessions, and even quirk training nestled in between mealtimes.

You and Bakugou went through every single thing together, from sitting out the ‘classes’ where the teachers essentially waxed poetic about rewritten history with a strong bias against the quirkless, to attending what felt like group therapy where you each took turns sharing your ambitions and goals as members of the organization. Bakugou even partook in one of the quirk training sessions, wherein he practiced shooting precise targets while propelling himself in the air.

You couldn’t decide if he was trying to act all serious for the mission or was just showing off—could’ve been both, really, but regardless, his efforts were enough to catch the eyes of the fellow members working on their respective quirks. You, on the other hand, sat to the side and watched the pro-hero do his thing, not being able to ‘practice’ anything without a partner to ‘boost’—or really, manipulate.

Needless to say, you’ve both been busting your ass pretending to be eager, dedicated members, but aside from the information readily provided in the forums, you haven’t had much luck extracting details that could prove to be useful for the mission, a fact that you’re now planning to bring up with Bakugou, a full week into moving into the headquarters…

…After you finish checking the bedroom for bugs.

It’s become some sort of an unspoken nightly routine for the both of you. The second the door shuts behind you after the trackers have been taken off and you’ve checked that the cameras are pointed downwards, capped, and are not blinking anymore, you go to your respective halves of the room and thoroughly check each inch for a wiretap. Neither of you dare to say anything compromising until you’ve completed the survey, and even then you’ve telepathically agreed to watch your choice of words.

Still, you can’t deny the familiar sense of reprieve whenever this time of the day comes along, and you’ve since associated these moments with Bakugou with comfort.

Which is probably why you have the audacity to joke around.

“Are they comfy?” you ask just as you plaster your butt down into the couch. You’ve had your fun yesterday, sleeping easily in the soft bed. You watch Bakugou as he eyes you warily, sitting on the edge of the mattress, facing you.

He huffs, crossing his legs. “Are what comfy?”

You point to his feet with your lips. “The slippers. They were buy one take one, you know.”

At that, he smirks. You can’t help but feel your own smile growing.

“I don’t think that’s something you should be bragging about, princess.”

Flying right past the tail end of that sentence for your sanity, you force a frown on your face. “Why not? It was a great deal. And, I’m sure yours are comfy. Mine are.”

He leans back on his hands that are firmly planted at his sides. He’s still smirking. “So why bother asking me in the first place if you already knew the answer to the question?”

You open your mouth to retort a witty comment, but come up short. Bakugou’s smirk morphs into a grin when you do. You wrinkle your nose in disdain, “I was just trying to make small talk. You’re welcome, by the way.”

The pro-hero only chuckles at that, before sitting up and bringing his hands forward, one holding and wringing the other arm’s wrist.

You study him for a beat, and then the cameras, which are still turned down and capped with a lens cover.

And when he only continues the rotating motion, you finally speak up.

“…What are we gonna do now?”

Bakugou’s eyes shift upward from his wrist to look at you, the softness that was just in his gaze a second ago now replaced by his trademark caution. You try not to focus on the disappointment of having caused that, as well as the misplaced longing for what was once there.

It takes him a while to reply, his features contorted into a look of deep thought. But when he does so, he straightens his back. “We—”

A barrage of heavy knocks resounds from the door, startling both of you and cutting Bakugou off. It’s immediately followed by a gruff voice, which you can now easily recognize as Hiroto’s.

“You’re not making any noise,” comes his bite, although it’s slightly muffled. “You better think twice about planning something behind our backs, you two.”

You roll your eyes. You understand any hostility coming from the members, as you and Bakugou come with risks that can potentially harm the organization that they hold dearly. But even you can say that the twins are taking it a bit too far with the harsh treatment.

If you didn’t know any better, you’d think their being extra hard on you has something to do with Masaki agreeing with the off-surveillance.

“Fucking relax,” Bakugou seethes in their direction. “Just because we’re not audibly having sex doesn’t mean we’re talking shit.”

You snort. Bakugou whips to look at you, the corners of his lips upturned.

That seems to put a plug on Hiroto, because the man doesn’t say anything after that. Once again, you’re met with silence, with you and Bakugou sitting on your respective furniture, looking at anything but each other.

It’s him, though, who finally breaks it a few minutes later with a clear of his throat.

“We keep at it—” Bakugou starts carefully, “—is what I was trying to say earlier. They’re gonna discuss the plans with us sooner than later.”

…Patience, huh?

You can do that.

Nodding, you adjust your position on your seat. You don’t dare to ask him to expound or add your own thoughts on the matter. Better to be safe than sorry, even though you’re pretty sure your room is free of bugs.

So instead, you finally give in and steer the conversation to something that’s been plaguing your mind ever since the commission kidnapped you a little over a week ago.

“Bakugou,” you begin, and he looks at you expectantly. You gulp. “Can I ask you something?”

He doesn’t miss a beat. “Depends on the question.”

“…So might as well shoot your shot,” he finishes when you don’t say anything.

Well, then.

You blurt it out before you can talk yourself out of it.

“Don’t get me wrong, alright? I know you’re strong and all that. But…” you trail off, fixing your eyes on him, “Why did they specifically want you of all heroes?”

Almost instantly, Bakugou’s smug expression is wiped off his face just as it falls.

You scramble to backtrack.

“Sorry if that’s too invas—”

“Are you sure we were batchmates?” he cuts you off, a brow raised in question. “Back in UA?”

You stare at him. Where is he going with this?

“Yeah?” you reply, not at all willing to try and jog his memory with the only prominent exchange between the two of you. So instead, you toss the query back at him: “Why?”

“Because if we were, you would’ve heard about the rumors about me, unless they weren’t as widespread as I thought.”

You feel your brows furrow. “Rumors?”

He peers at you for what feels like an eternity, before shaking his head in what you think is resignation. His body language has changed drastically, you note—the distinct confidence from earlier now long gone, having been replaced with…shame?

He heaves a deep breath.

“I was a bully,” he finally declares, meeting your gaze. “I bullied someone for being quirkless. I guess you could say I had a…” he hesitates, as if he’s trying to filter his words,” …certain mindset up until late into our first year.”

He shakes his head again, which is now bowed down toward the floor. “I did some pretty…awful stuff, to say the least.”

And before you can say anything, he beats you to it. “And don’t ask me about what I did.”

“I wasn’t going to,” comes your speedy response. That causes him to look up again and at you, a surprised look written on his face.

“Well, that’s a first.”

“I don’t have to know,” you reason, schooling your features into a neutral, even sincere expression. “Besides, I can clearly see there’s remorse. There’s no need to reopen that can of worms, especially if you’ve tried to make amends.”

You pause, eyeing him. “Have you?”

He tosses you a look of offense, as if you just accused him of being a serial killer. “Of course. And he’s forgiven me. What do you take me for?”

“Someone who feels remorse—” you chuckle, “—just like I said.”

He shoots you a glare, although it’s playful and has no bite to it. “Smartass.”

You grin at him. “I am smart, aren’t I?”

Bakugou doesn’t verbalize his agreement, but he doesn’t deny it either. Instead, he turns the table on you.

“You’re a guidance counselor, aren’t you? You use your quirk on your clients?”

You gasp, insulted. That grants you a smirk from him. “No! Of course, not. What do you take me for?”

He shrugs, “What? It makes sense to me.”

“So should this thing called ethics, which I follow and is very important, especially for people like me who work in the mental health field.”

That doesn’t seem to convince him. “Why’re you in this field, then? If not for its compatibility with your quirk?”

You think about it for a beat.

“I guess you can say my quirk did play a part in all of this, but not as my crutch,” you eventually explain. “Using it made me realize how much I like making people feel and do better, which is something that I now do with evidence-based techniques as a counselor. Plus, my job trains me in identifying emotions, which, you know…”

—helps with maximizing your quirk.

But you don’t say it out loud for fear of getting exposed, and it seems like that’d be unnecessary, because understanding flashes across Bakugou’s eyes. He nods, and that’s all you need to know he gets what you’re leaving unsaid.

“That’s a pretty noble cause,” he offers, although it comes out a bit awkward.

Still, you flash him a genuine smile. He looks away.

…Right at the wall clock, which now reads a little too late o’clock.

“You should get some sleep,” says Bakugou just as you are about to tell him the very same thing.

And when you don’t respond: “Are you sure you wanna sleep on the couch?”

‘What, are you proposing we share the bed?’

…Is what you would say if you were a fucking lunatic, which you’re glad you aren’t, because you don’t know how you’d survive this hell of a mission if you were.

Instead, you nod, shooting him a grateful look as you move to lay back and drape the blanket over your body. “Bask in the luxury of a proper mattress, your highness.”

You don’t get to see his reaction anymore in your new position, but you bet your cheap but surprisingly ergonomic slippers that he’s grinning with the way he snorts loudly.

“Stupid.”

˖⁺‧₊ as always, reblogs, replies, and tags are appreciated <3 feel free to drop an ask, too—i'd love to chat with you. have a nice day!

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[risingsunresistance]

every time a merch designer puts the really cool part of the design on the back of the shirt, an angel loses its wings

[bigskydreaming]

Imagine if you were a gay or bi man who tried a certain firefighter show because of all the attention it was getting for one of its mains having a later in life bi awakening.....and between seasons you ventured into its fandom in search of material to tide you over til the next one. And you're greeted by a deluge of posts and fics that are just cheerfully homophobic towards one half of the newly out bi character's canon relationship on the basis of 'well he's not the RIGHT gay guy' and pushing the idea that actually its fine to cheat on him because Reasons and he's sexually predacious based on......behind the scenes implications people have divined like they're reading fucking tea leaves.

But don't get it twisted....this fandom, like all fandoms, really cares about representation!

Sorry not sorry, but we really need to kill this idea that fandoms are welcoming and inviting and inherently progressive when they're frequently insular and reductive as fuck. Every single fandom I've been in has had major trends of people doubling down on their own headcanons and fanon interpretations of the characters and willfully enacting trends aimed at running off people who like the 'wrong' characters (usually characters marginalized along one or multiple axes), like the characters in the 'wrong ways' or other bullshit.

Scott is a Bad Friend fics overtaking Teen Wolf fandom was not incidental, it was a FEATURE of the fandom, because the vast majority of that fandom did not want to share its space with anyone who had the nerve to like its main character. Survivors complaining about or criticizing the prevalance of rape fics in a certain fandom has in my experience always led to a reactionary UPTICK in those fics, with gems like 'this character can, will, must be raped' in the tags making it crystal clear that some of these fics exist because how fucking DARE anyone try and push forth a narrative not agreed upon by Fandom Main.

I could cite examples for so many other fandoms, with the commonalities always being that vast majorities in these fandoms are explicitly reacting defensively to being asked to be more mindful of fandom trends revolving around or exacerbating racism, homophobia, transphobia, rape or abuse apologia, ableism, etc....

With the most prolific fucking rallying cry across countless fandoms being "No the fuck we will NOT be doing that," because lolololol.....

Fandom is an inherently progressive space, didn't you hear?

[demonic-shadowlucifer]

im already tired of the 'man vs bear' debate. it went from actually meaningful discussion about sexual assault and how men need to do better to just purposefully ragebaiting incels and nothing of actual value. and that's not even getting into the fact that the discourse only focuses on survivors who are cis women, and less focus on trans survivors, enby survivors (and even male survivors for that matter). hell, transphobes have already started to invade the conversation. we need less rhetorical questions about abuse, and more actual uplifting of survivors and actual education about abuse (for all genders for that matter!)

the man vs bear topic has done nothing to help survivors, and i will die on this hill.

[constantvariations]

One of Hello Future Me's videos on revolution brought up an event from the Philippines back in the 80s: the dictator sent a battalion to crush a supposed revolt, only for the soldiers to be met with nuns and children offering food and water. The majority of the army defected as a result

I'm going to use rwby to try hammering this abstract concept into a coherent thought, but this incident got me thinking about how nonviolent protest is theater

If a similar event were to occur in rwby, for it to be successful, the protestors would have to be the cutesy faunus types: rabbits, cats, dogs, and the like because they're non-threatening. Attacking a sweet cat faunus would be akin to attacking a child or nun, paragons of innocence and virtue respectively. Only a monster could cut them down, and no one wants to be seen as a monster

A scorpion faunus, though? Their mere existence is a threat. That tail is dangerous, a weapon available at all times. Bull faunus have horns they can use to gouge out eyes and organs. Claim they attacked and most people would agree that killing them in self-defense is justified

Because nonviolent resistance relies on public perception, people who could possibly taint the image of the movement will get left in the dark no matter how important they are. Bayard Rustin was the one who taught Dr King about civil disobedience and was an organizer for many major events, but he opted to ride to events in the trunk of people's cars so his status as an openly gay man wouldn't harm the movement's image

There would be little wonder why the White Fang would be more popular with the "scarier" faunus. Public perception is already against them, so it's not going to change much for them if they join a violent organization, but this in turn will be seen as justification for discrimination against these types of faunus. A hellish self-perpetuating cycle

These faunus would also be far more likely to experience violence at a much younger age, akin to how black children are treated as adults even if they're literally six years old

The strategy behind nonviolent protest like the ones Dr King did is to show the world the mistreatment of the innocent, but when your existence is deemed a threat, there's little hope that you'll ever get enough support to change the system. This is why bigots constantly spew the "queer groomer" and black crime "statistics": by portraying someone's freedom as a danger to the innocent, any level of violence is justifiable defense. The police aren't attacking queers, black, and brown folk discriminately, they're attacking dangerous criminals, so it's okay!!1!

Theater can't save those already condemned and to try is wasted effort

[kelin-is-writing]

Hi, I know you hate endevour and his fans..but whay if people like him because of his psycholgy, he is an intresting character..

Honestly, I hate Endeavor but I don’t really care if peoples likes him or not; y’all can like whatever characters you want, it’s really none of my business at the end of the day.

What I don’t like and find embarrassing, it’s rude fans that come into my inbox disguised as Anonymous only to attack me because I hold him accountable for things he has in fact done and for supporting his victims, while not caring about what happens to him.

I mean— Why do you care if 1 out of billion other fans doesn’t like Endeavor (for fair reasons)? It’s just like when bullies in middle school hate on someone for their looks. Like, the other person is allegedly “ugly” and you get mad on a personal level because of it? Very questionable behavior.

If you find him an interesting character, that’s totally fine. I don’t really have any say in it, because patronizing a total stranger is a weird and narcissistic behavior that I won’t engage in.

I just personally don’t like Endeavor nor I think he’s an interesting character, since I don’t really like nor him nor peoples who are like him irl, this because of personal reasons that I won’t disclose on here. It’s really just this 👐🏼

[mako-island-moon-pool]

I really do deserve a fucking apology for all the times my friends and family valued strangers on the internet and their opinions more than me

How am I supposed to be just fine with being ignored for years and years or bullied for openly liking what I like, only for those same fucking people to then turn around YEARS LATER, AFTER THE DAMAGE WAS ALREADY DONE, and be like "actually this is cool, so glad I found it" while still ignoring me. Why am I not allowed to be fucking pissed about it? Why is it considered ""gatekeepy"" when I get upset someone who deliberately ignored me for years and insulted the shit I enjoy when I asked them to get into it cuz I thought they'd like it suddenly finds interest in it because it got popular online, not because I'd been begging them to give it a chance and to listen to me for years???? Why is that not allowed????? THAT'S SUCH AN ASSHOLE MOVE, WHY IS IT 'NOT OKAY' TO BE MAD? WHY DON'T THEY GROW A SPINE AND APOLOGIZE FOR DISMISSING ME FIRST? HOW ABOUT THAT?????

[rainingincale]

Bro no joke, forgetting that not everyone hates capitalism and then having to try have a reasonable conversation with someone about buying things... *eye twitch*

[fantasy-costco]

I think if a tumblr user says anything about history they should include Chicago style citations in the post. This is also true for other areas of study but I don't really know much about those so I only get filled with a blind rage when history posts are wrong. So that's what we need to fix first. For me.

[yourfourthparent]

love seeing posts that are like "i block people who like/post about/do this" and it's something i do from someone i have interacted with multiple times

[oflgtfol]

i really hate to be rewatching this show just to compare it to s3 like truly i just want some wonder and whimsy in my life again as a break from being a hater, but still, rewatching s1 is really just reminding of WHY im disliking s3 so much

so a relatively minor thing about s3 that has nonetheless been irking me is how weird and unnatural and stilted the dialogue is. it just feels so flat and empty. and even the way pedro is voiceacting for din just makes him so monotone and flat - and im not even blaming pedro for like, bad acting or anything, im blaming the direction because the same thing is evident in the written dialogue itself, and obv pedro has been doing fine before this. but overall both the written dialogue and the voiceacting makes din just have like.. no personality whatsoever.

and then contrast it with s1. din really is generally a monotone, minimal words kinda guy, even back in the beginning, but he still had a personality despite that. its the way he said those minimal words that delivered that personality, like theres still the subtle emotion behind everything that really endears you to him and makes the monotone quality like, less of Oh No, Protag Has No Personality, and more of an actual TRAIT of his personality

just listen to this scene! he speaks pretty flatly but its more in a gruff detached way, and he still emotes underneath it which shows his impatience and resignation! he emphasizes words and changes his cadence to stress things, and just overall the way he says “you understand? great.” i dont get this feeling from anything in s3 so far its like din is just Saying Words to keep the show rolling and nothing else, no more subtle characterization and subtle emoting. Sighs

i dont know if im wording this right but just overall the line delivery is so different and so much better in s1 and i cannot believe s3 is so bad so far its got me marveling over the most basic ass shit, like full on writing essays about a random 40 second scene like this

[kirshnikweesnaw]

.

[orcelito]

i think it's just in my nature to get stabbed

if i count this, then this would be the 3rd stabbing i have endured

[destroyscythe-heck]

Spicy!!!!!!!!!!!

That’s all folks!!!!!!!

No I will not elaborate.

At Publishing Company, we care about representation. This book is about a gay person (like you!) who falls in love, comes of age, learns to be more compassionate, and has adventures in a setting that--sorry, I was getting off track. Where was I? Oh yeah, the main character has ADHD! The love interest is autistic and maybe has OCD. There are several characters in here who might not be white. Is that exciting to you? A side character is openly nonbinary. The antagonist uses mobility aids. Everyone introduces themselves with pronouns in this groundbreaking queernormative novel written by a Turkish-American trans person who takes Zoloft. Interested? Anyway, the novel itself is about